Sitting in a tin can > Sitting in a tin can's Quotes

“Who controls the past controls the future. Who controls the present controls the past.”
― George Orwell, 1984

“The best books... are those that tell you what you know already.”
― George Orwell, 1984

“But if thought corrupts language, language can also corrupt thought.”
― George Orwell, Politics and the English Language

“We shall meet in the place where there is no darkness.”
― George Orwell, 1984

“Until they become conscious they will never rebel, and until after they have rebelled they cannot become conscious.”
― George Orwell, 1984

“When you put so much effort to forget someone, the effort itself becomes a memory. Then you have to forget the forgetting, and that too is memorable.”
― Steve Toltz, A Fraction of the Whole

“Your now is not your forever.”
― John Green, Turtles All the Way Down

“You're both the fire and the water that extinguishes it. You're the narrator, the protagonist, and the sidekick. You're the storyteller and the story told. You are somebody's something, but you are also your you.”
― John Green, Turtles All the Way Down

“True terror isn’t being scared; it’s not having a choice on the matter.”
― John Green, Turtles All the Way Down

“The problem with happy endings is that they're either not really happy, or not really endings, you know? In real life, some things get better and some things get worse. And then eventually you die.”
― John Green, Turtles All the Way Down

“You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person and why.”
― John Green, Turtles All the Way Down

“Actually, the problem is that I can’t lose my mind,” I said. “It’s inescapable.”
― John Green, Turtles All the Way Down

“What I love about science is that as you learn, you don't really get answers. You just get better questions.”
― John Green, Turtles All the Way Down

“You are as real as anyone, and your doubts make you more real, not less.”
― John Green, Turtles All the Way Down

“I was so good at being a kid, and so terrible at being whatever I was now.”
― John Green, Turtles All the Way Down

“I is the hardest word to define.”
― John Green, Turtles All the Way Down

“Others imply that they know what it is like to be depressed because they have gone through a divorce, lost a job, or broken up with someone. But these experiences carry with them feelings. Depression, instead, is flat, hollow, and unendurable. It is also tiresome. People cannot abide being around you when you are depressed. They might think that they ought to, and they might even try, but you know and they know that you are tedious beyond belief: you are irritable and paranoid and humorless and lifeless and critical and demanding and no reassurance is ever enough. You're frightened, and you're frightening, and you're "not at all like yourself but will be soon," but you know you won't.”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“I compare myself with my former self, not with others. Not only that, I tend to compare my current self with the best I have been, which is when I have been midly manic. When I am my present "normal" self, I am far removed from when I have been my liveliest, most productive, most intense, most outgoing and effervescent. In short, for myself, I am a hard act to follow.”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“No amount of love can cure madness or unblacken one's dark moods. Love can help, it can make the pain more tolerable, but, always, one is beholden to medication that may or may not always work and may or may not be bearable”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“We all build internal sea walls to keep at bay the sadnesses of life and the often overwhelming forces within our minds. In whatever way we do this--through love, work, family, faith, friends, denial, alcohol, drugs, or medication, we build these walls, stone by stone, over a lifetime. ”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“We all move uneasily within our restraints.”
― Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

“I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.”
― Franz Kafka, The Metamorphosis

“How about if I sleep a little bit longer and forget all this nonsense",”
― Franz Kafka, Metamorphosis

“The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.

Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.

But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.

This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.”
― Terry Pratchett, Men at Arms: The Play