Jylah > Jylah's Quotes

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  • #1
    Haruki Murakami
    “So in the end maybe that’s the challenge: to look inside your own heart as perceptively and seriously as you can, and to make peace with what you find there. If we hope to truly see another person, we have to start by looking within ourselves.” Takatsuki”
    Haruki Murakami, Men Without Women

  • #2
    Haruki Murakami
    “Like dry ground welcoming the rain, he let the solitude, silence, and loneliness soak in.”
    Haruki Murakami, Men Without Women

  • #3
    Haruki Murakami
    “All he could do was wait like this, patiently, until it grew light out and the birds awoke and began their day. All he could do was trust in the birds, in all the birds, with their wings and beaks.”
    Haruki Murakami, Men Without Women

  • #4
    Haruki Murakami
    “It's strange, isn't it?" the woman said in a pensive voice. "Everything is blowing up around us, but there are still those who care about a broken lock, and others who are dutiful enough to try to fix it... But maybe that's the way it should be. Maybe working on the little things as dutifully and honestly as we can is how we stay sane when the world is falling apart.”
    Haruki Murakami, Men Without Women

  • #5
    Haruki Murakami
    “Having seen my love now / and said farewell / I know how very shallow my heart was of old / as if I had never before known love,’” Tokai intoned. “Gonchunagon Atsutada’s poem,” I said. I had no idea why I remembered this.
    “In college,” he said, “they taught us that ‘seen’ meant a lover’s tryst, including a physical relationship. At the time it didn’t mean much, but now, at this age, I’ve finally experienced what the poet felt. The deep sense of loss after you’ve met the woman you love, have made love, then said goodbye. Like you’re suffocating. The same emotion hasn’t changed at all in a thousand years. I’ve never had this feeling up till now, and it makes me realize how incomplete I’ve been, as a person. I was a little late in noticing this, though.”
    Haruki Murakami, Men Without Women

  • #6
    Kurt Vonnegut Jr.
    “All right - I'll tell you what you did for me: you went for happy, silly, beautiful walks with me.”
    Kurt Vonnegut, Bluebeard

  • #7
    Kurt Vonnegut Jr.
    “It's the emptiest and yet the fullest of all human messages: 'Good-bye.”
    Kurt Vonnegut, Bluebeard

  • #8
    Kurt Vonnegut Jr.
    “What a fool I would have been to let self-respect interfere with my happiness!”
    Kurt Vonnegut, Bluebeard

  • #9
    Kurt Vonnegut Jr.
    “What's the point of being alive," she said, "if you're not going to communicate?”
    Kurt Vonnegut, Bluebeard

  • #10
    Haruki Murakami
    “There are some things about myself I can’t explain to anyone. There are some things I don’t understand at all. I can’t tell what I think about things or what I’m after. I don’t know what my strengths are or what I’m supposed to do about them. But if I start thinking about these things in too much detail the whole thing gets scary. And if I get scared I can only think about myself. I become really self-centered, and without meaning to, I hurt people. So I’m not such a wonderful human being.”
    Haruki Murakami, The Elephant Vanishes

  • #11
    Haruki Murakami
    “Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.

    One day the two came upon each other on the corner of a street.

    “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”

    “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”

    They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.

    As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?

    And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”

    “Yes,” she said, “that is exactly what we should do.”

    And so they parted, she to the east, and he to the west.

    The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.

    One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.

    They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.

    Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.

    One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:

    She is the 100% perfect girl for me.

    He is the 100% perfect boy for me.

    But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.

    A sad story, don’t you think?”
    Haruki Murakami, The Elephant Vanishes

  • #12
    Haruki Murakami
    “Memory is like fiction; or else it's fiction that's like memory. This really came home to me once I started writing fiction, that memory seemed a kind of fiction, or vice versa. Either way, no matter how hard you try to put everything neatly into shape, the context wanders this way and that, until finally the context isn't even there anymore. You're left with this pile of kittens lolling all over one another. Warm with life, hopelessly unstable. And then to put these things out as saleable items, you call them finished products - at times it's downright embarrassing just to think of it. Honestly, it can make me blush.”
    Haruki Murakami, The Elephant Vanishes

  • #13
    Raymond Carver
    “There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me.”
    Raymond Carver, What We Talk About When We Talk About Love

  • #14
    Raymond Carver
    “Something’s died in me,” she goes. “It took a long time for it to do it, but it’s dead. You’ve killed something, just like you’d took an axe to it. Everything is dirt now.”
    Raymond Carver, What We Talk About When We Talk About Love

  • #15
    Raymond Carver
    “and it ought to make us feel ashamed when we talk like we know what we're talking about when we talk about love.”
    Raymond Carver, What We Talk About When We Talk About Love

  • #16
    Raymond Carver
    “All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.”
    Raymond Carver, What We Talk About When We Talk About Love
    tags: love

  • #17
    Raymond Carver
    “My heart is broken,” she goes. “It’s turned to a piece of stone. I’m no good. That’s what’s as bad as anything, that I’m no good anymore.”
    Raymond Carver, What We Talk About When We Talk About Love

  • #18
    Raymond Carver
    “Well, the husband was very depressed for the longest while. Even after he found out that his wife was going to pull through, he was still very depressed. Not about the accident, though. I mean, the accident was one thing, but it wasn't everything. I'd get up to his mouth-hole, you know, and he'd say no, it wasn't the accident exactly but it was because he couldn't see her through his eye-holes. He said that was what was making him feel bad. Can you imagine? I'm telling you, the man's heart was breaking because he couldn't turn his goddamn head and see his goddamn wife.”
    Raymond Carver, What We Talk About When We Talk About Love

  • #19
    Mikhail Bulgakov
    “For some a prologue, for some an epilogue.”
    Bulgakov Mikhail Afanas'evich

  • #20
    Sally Rooney
    “My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all.”
    Sally Rooney, Mr Salary

  • #21
    Sayaka Murata
    “So the manual for life already existed. It was just that it was already ingrained in everyone’s heads, and there wasn’t any need to put it in writing. The specific form of what is considered an “ordinary person” had been there all along, unchanged since prehistoric times I finally realized.”
    Sayaka Murata, Convenience Store Woman

  • #22
    Sayaka Murata
    “I find the shape of people’s eyes particularly interesting when they’re being condescending. I see a wariness or a fear of being contradicted or sometimes a belligerent spark ready to jump on any attack.”
    Sayaka Murata, Convenience Store Woman

  • #23
    Sayaka Murata
    “My present self is formed almost completely of the people around me.”
    Sayaka Murata, Convenience Store Woman

  • #24
    Sayaka Murata
    “Deep down I wanted some kind of change. Any change, whether good or bad, would be better than the state of impasse I was in now.”
    Sayaka Murata, Convenience Store Woman

  • #25
    Fyodor Dostoevsky
    “I admit that twice two makes four is an excellent thing, but if we are to give everything its due, twice two makes five is sometimes a very charming thing too.”
    Fyodor Dostoyevsky, Notes from the Underground

  • #26
    Fyodor Dostoevsky
    “I say let the world go to hell, but I should always have my tea.”
    Fyodor Dostoevsky, Notes from Underground

  • #27
    Fyodor Dostoevsky
    “To love is to suffer and there can be no love otherwise.”
    Fyodor Dostoevsky, Notes from Underground

  • #28
    Fyodor Dostoevsky
    “Man only likes to count his troubles; he doesn't calculate his happiness.”
    Fyodor Dostoevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #29
    Charles Bukowski
    “Sometimes you climb out of bed in the morning and you think, I'm not going to make it, but you laugh inside — remembering all the times you've felt that way.”
    Charles Bukowski

  • #30
    Charles Bukowski
    “I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!”
    Charles Bukowski



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