Bea > Bea's Quotes

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  • #1
    Friedrich Nietzsche
    “I tell you: one must still have chaos in one, to give birth to a dancing star. I tell you: you have still chaos in you.”
    Nietzsche Friedrich Wilhelm, Thus Spoke Zarathustra

  • #2
    Friedrich Nietzsche
    “At a certain place in Beethoven's Ninth Symphony, for example, he might feel that he is floating above the earth in a starry dome, with the dream of immortality in his heart; all the stars seem to glimmer around him, and the earth seems to sink ever deeper downwards.”
    Friedrich Nietzsche, Human, All Too Human: A Book for Free Spirits

  • #3
    Friedrich Nietzsche
    “Star friendship.— We were friends and have become estranged. But this was right, and we do not want to conceal and obscure it from ourselves as if we had reason to feel ashamed. We are two ships each of which has its goal and course; our paths may cross and we may celebrate a feast together, as we did—and then the good ships rested so quietly in one harbor and one sunshine that it may have looked as if they had reached their goal and as if they had one goal. But then the almighty force of our tasks drove us apart again into different seas and sunny zones, and perhaps we shall never see one another again,—perhaps we shall meet again but fail to recognize each other: our exposure to different seas and suns has changed us! That we have to become estranged is the law above us: by the same token we should also become more venerable for each other! And thus the memory of our former friendship should become more sacred! There is probably a tremendous but invisible stellar orbit in which our very different ways and goals may be included as small parts of this path,—let us rise up to this thought! But our life is too short and our power of vision too small for us to be more than friends in the sense of this sublime possibility.— Let us then believe in our star friendship even if we should be compelled to be earth enemies.”
    Friedrich Nietzsche, The Gay Science: With a Prelude in Rhymes and an Appendix of Songs

  • #4
    Haruki Murakami
    “You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.”
    Haruki Murakami, After Dark

  • #5
    Haruki Murakami
    “Time moves in it special way in the middle of the night.”
    Haruki murakami , After Dark

  • #6
    Haruki Murakami
    “And her sleep was too long and deep for that:so deep that she left her normal reality behind.”
    Haruki Murakami, After Dark

  • #7
    Haruki Murakami
    “Waves of thought are stirring. In a twilight corner of her consciousness, one tiny fragment and another tiny fragment call out wordlessly to eachother, their spreading ripples intermingling.”
    Haruki Murakami, After Dark

  • #8
    Haruki Murakami
    “Between the time the last train leaves and the first train arrives, the place changes: it's not the same as in daytime.”
    Haruki Murakami, After Dark

  • #9
    Haruki Murakami
    “It's true though: time moves in its own special way in the middle of the night," the bartender says, loudly striking a book match and lighting a cigarette. "You can't fight it.”
    Haruki Murakami, After Dark

  • #10
    Joan Didion
    “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.”
    Joan Didion, Slouching Towards Bethlehem

  • #11
    Joan Didion
    “We tell ourselves stories in order to live.”
    Joan Didion, The White Album

  • #12
    Joan Didion
    “I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.”
    Joan Didion

  • #13
    Joan Didion
    “I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it.”
    Joan Didion

  • #14
    Joan Didion
    “Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe their husband is about to return and need his shoes.”
    Joan Didion, The Year of Magical Thinking

  • #15
    Joan Didion
    “We tell ourselves stories in order to live...We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the "ideas" with which we have learned to freeze the shifting phantasmagoria which is our actual experience.”
    Joan Didion, The White Album

  • #16
    Yukio Mishima
    “An ugliness unfurled in the moonlight and soft shadow and suffused the whole world. If I were an amoeba, he thought, with an infinitesimal body, I could defeat ugliness. A man isn’t tiny or giant enough to defeat anything.”
    Yukio Mishima, The Sailor Who Fell from Grace with the Sea

  • #17
    Yukio Mishima
    “Still immersed in his dream, he drank down the tepid tea. It tasted bitter. Glory, as anyone knows, is bitter stuff.”
    Yukio Mishima, The Sailor Who Fell from Grace with the Sea

  • #18
    Yukio Mishima
    “But the tears of joy had washed anxiety away and lifted them to a height where nothing was impossible. Ryuji was as if paralyzed: the sight of familiar places, places they had visited together, failed to move him. That Yamashita Park and Marine Tower should now appear just as he had often pictured them seemed only obvious, inevitable. And the smoking drizzle of rain, by softening the too distinct scenery and making of it something closer to the images in memory, only heightened the reality of it all. Ryuji expected for some time after he disembarked to feel the world tottering precariously beneath his feet, and yet today more than ever before, like a piece in a jigsaw puzzle, he felt snugly in place in an anchored, amiable world.”
    Yukio Mishima, The Sailor Who Fell from Grace with the Sea

  • #19
    “If someday the moon calls you by your name don’t be surprised,
    Because every night I tell her about you.”
    Shahrazad al-Khalij



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