Trent > Trent's Quotes

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  • #1
    David Foster Wallace
    “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
    David Foster Wallace, This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

  • #2
    Michael Chabon
    “In the immemorial style of young men under pressure, they decided to lie down for a while and waste time.”
    Michael Chabon, The Amazing Adventures of Kavalier & Clay

  • #3
    Michael Chabon
    “As he watched Joe stand, blazing, on the fire escape, Sammy felt an ache in his chest that turned out to be, as so often occurs when memory and desire conjoin with a transient effect of weather, the pang of creation. The desire he felt, watching Joe, was unquestionably physical, but in the sense that Sammy wanted to inhabit the body of his cousin, not possess it. It was, in part, a longing--common enough among the inventors of heroes--to be someone else; to be more than the result of two hundred regimens and scenarios and self-improvement campaigns that always ran afoul of his perennial inability to locate an actual self to be improved. Joe Kavalier had an air of competence, of faith in his own abilities, that Sammy, by means of constant effort over the whole of his life, had finally learned only to fake. ”
    Michael Chabon, The Amazing Adventures of Kavalier & Clay
    tags: self

  • #4
    Michael Chabon
    “The true magic of this broken world lay in the ability of the things it contained to vanish, to become so thoroughly lost, that they might never have existed in the first place.”
    Michael Chabon, The Amazing Adventures of Kavalier & Clay

  • #5
    Michael Chabon
    “Entertainment is a sacred pursuit when done well. When done well, it raises the quality of human life.”
    Michael Chabon

  • #6
    Tom McCarthy
    “Literature has to remain frustrating — to withhold something, remain incomplete — or it’s not literature anymore, but rather entertainment, edification or interpretation. That’s literature’s USP: staying unresolved, keeping its most vital messages unspoken, creating a zone of noise where everything and nothing is said at the same time.”
    Tom McCarthy

  • #7
    John Green
    “Imagining the future is a kind of nostalgia. (...) You spend your whole life stuck in the labyrinth, thinking about how you'll escape it one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.”
    John Green, Looking for Alaska

  • #8
    Dave Eggers
    “Live long enough and you'll disappoint everyone. People think you're able to help them and usually you can't. And so it becomes a process of choosing the one or two people you try hardest not to disappoint. The person in my life I am determined not to disappoint is you.”
    Dave Eggers, A Hologram for the King

  • #9
    Dave Eggers
    “The key thing is managed awareness of your role in the world and history. Think too much and you know you are nothing. Think just enough and you know you are small, but important to some. That's the best you can do.”
    Dave Eggers, A Hologram for the King

  • #10
    John Green
    “What a treacherous thing to believe that a person is more than a person.”
    John Green, Paper Towns

  • #11
    Lev Grossman
    “If there's a single lesson that life teaches us, it's that wishing doesn't make it so.”
    Lev Grossman, The Magicians

  • #12
    Lev Grossman
    “Most people carry that pain around inside them their whole lives, until they kill the pain by other means, or until it kills them. But you, my friends, you found another way: a way to use the pain. To burn it as fuel, for light and warmth. You have learned to break the world that has tried to break you.”
    Lev Grossman

  • #13
    Lev Grossman
    “Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.”
    Lev Grossman, The Magician King

  • #14
    Zadie Smith
    “Sometimes, one wants to have the illusion that one is making ones own life, out of one's own resources.”
    Zadie Smith, NW

  • #15
    David Foster Wallace
    “You have a great deal of yourself on the line, writing— your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal.”
    David Foster Wallace, Both Flesh and Not: Essays

  • #16
    David Foster Wallace
    “I claim that the fact that we are strongly encouraged to identify with characters for whom death is not a significant creative possibly has real costs. We the audience, and individual you over there and me right here, lose any sense of eschatology, thus of teleology, and live in a moment that is, paradoxically, both emptied of intrinsic meaning or end and quite literally ETERNAL. If we're the only animals who know in advance we're going to die, we're also probably the only animals who would submit so cheerfully to the sustained denial of this undeniable and very important truth. The danger is that, as entertainment's denials of the truth get even more effective and pervasive and seductive, we will eventually forget what they're denials OF. This is scary. Because it seems transparent to me that, if we forget how to die, we're going to forget how to live.”
    David Foster Wallace, Both Flesh and Not: Essays

  • #17
    David Foster Wallace
    “Under fun’s new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don’t want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel. Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or to present yourself in a way you figure you will be maximally likable. This process is complicated and confusing and scary, and also hard work, but it turns out to be the best fun there is.

    The fact that you can now sustain the fun of writing only by confronting the very same unfun parts of yourself you’d first used writing to avoid or disguise is another paradox, but this one isn’t any kind of bind at all. What it is is a gift, a kind of miracle, and compared to it the reward of strangers’ affection is as dust, lint.”
    David Foster Wallace, Both Flesh and Not: Essays

  • #18
    Abraham Lincoln
    “in times like the present, men should utter nothing for which they would not willingly be responsible through time and eternity.”
    Abraham Lincoln



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