Manolya > Manolya's Quotes

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  • #1
    Truman Capote
    “The blame of course belonged to Clyde, who just was not much given to talk. Also, he seemed very little curious himself: Grady, alarmed sometimes by the meagerness of his inquiries and the indifference this might suggest, supplied him liberally with personal information; which isn't to say she always told the truth, how many people in love do? or can? but at least she permitted him enough truth to account more or less accurately for all the life she had lived away from him. It was her feeling, however, that he would as soon not hear her confessions: he seemed to want her to be as elusive, as secretive as he was himself.”
    Truman Capote, Summer Crossing

  • #2
    Sara Gruen
    “Why the hell shouldn't I run away with the circus?”
    Sara Gruen, Water for Elephants

  • #3
    Elif Shafak
    “Ways of loving from a distance, mating without even touching-Amor platonicus! The ladder of love one is expected to climb higher and higher, elating the Self and the Other. Plato clearly regards any actual physical contact as corrupt and ignoble because he thinks the true goal of Eros is beauty. Is there no beauty in sex? Not according to Plato. He is after `more sublime pursuits.' But if you ask me, I think Plato's problem, like those of many others, was that he never got splendidly laid.”
    Elif Şafak, The Bastard of Istanbul

  • #4
    Jane Austen
    “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

    I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.”
    Jane Austen, Persuasion

  • #5
    Tennessee Williams
    “I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be the truth. And it that's sinful, then let me be damned for it!”
    Tennessee Williams, A Streetcar Named Desire

  • #6
    Haruki Murakami
    “If I stayed here, something inside me would be lost forever—something I couldn't afford to lose. It was like a vague dream, a burning, unfulfilled desire. The kind of dream people have only when they're seventeen.”
    Haruki Murakami, South of the Border, West of the Sun

  • #7
    Haruki Murakami
    “I think you still love me, but we can’t escape the fact that I’m not enough for you. I knew this was going to happen. So I’m not blaming you for falling in love with another woman. I’m not angry, either. I should be, but I’m not. I just feel pain. A lot of pain. I thought I could imagine how much this would hurt, but I was wrong.”
    Haruki Murakami, South of the Border, West of the Sun

  • #8
    Haruki Murakami
    “I was always attracted not by some quantifiable, external beauty, but by something deep down, something absolute. Just as some people have a secret love for rainstorms, earthquakes, or blackouts, I liked that certain undefinable something directed my way by members of the opposite sex. For want of a better word, call it magnetism. Like it or not, it’s a kind of power that snares people and reels them in.”
    Haruki Murakami, South of the Border, West of the Sun

  • #9
    Haruki Murakami
    “No matter where i go, i still end up me. What's missing never changes. The scenery may change, but i'm still the same incomplete person. The same missing elements torture me with a hunger that i can never satisfy. I think that lack itself is as close as i'll come to defining myself.”
    Haruki Murakami, South of the Border, West of the Sun

  • #10
    Catherynne M. Valente
    “Lebedeva’s eyes shone. “Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.”
    Catherynne M. Valente, Deathless

  • #11
    Hayao Miyazaki
    “Modern life is so thin and shallow and fake. I look forward to when developers go bankrupt, Japan gets poorer and wild grasses take over.”
    Hayao Miyazaki

  • #12
    Hayao Miyazaki
    “I’ve become skeptical of the unwritten rule that just because a boy and girl appear in the same feature, a romance must ensue. Rather, I want to portray a slightly different relationship, one where the two mutually inspire each other to live - if I’m able to, then perhaps I’ll be closer to portraying a true expression of love.”
    Hayao Miyazaki

  • #13
    Hayao Miyazaki
    “Personally, I was never more passionate about manga than when preparing for my college entrance exams. It's a period of life when young people appear to have a great deal of freedom, but are in many ways actually opressed. Just when they find themselves powerfully attracted to members of opposite sex, they have to really crack the books. To escape from this depressing situation, they often find themselves wishing they could live in a world of their own - a world they can say is truly theirs, a world unknown even to their parents. To young people, anime is something they incorporate into this private world.
    I often refer to this feeling as one yearning for a lost world. It's a sense that although you may currently be living in a world of constraints, if you were free from those constraints, you would be able to do all sorts of things. And it's that feeling, I believe, that makes mid-teens so passionate about anime.”
    Hayao Miyazaki, Starting Point 1979-1996

  • #14
    Stieg Larsson
    “It did no good to cry, she had learned that early on. She had also learned that every time she tried to make someone aware of something in her life, the situation just got worse. Consequently it was up to her to solve her problems by herself, using whatever methods she deemed necessary.”
    Stieg Larsson, The Girl With the Dragon Tattoo

  • #15
    Sarah Ockler
    “I was, but then I realized that I was holding on to something that didn't exist anymore. That the person I missed didn't exist anymore. People change. The things we like and dislike change. And we can wish they couldn't all day long but that never works.”
    Sarah Ockler, Fixing Delilah

  • #16
    Richard Siken
    “If you love me, Henry, you don’t love me in a way I understand.”
    Richard Siken, Crush

  • #17
    Richard Siken
    “He could build a city. Has a certain capacity. There’s a niche in his chest
    where a heart would fit perfectly
    and he thinks if he could just maneuver one into place –
    well then, game over.”
    Richard Siken

  • #18
    Richard Siken
    “I’m saying your name in the grocery store, I’m saying your name on the bridge at dawn. Your name like an animal covered with frost, your name like a music that’s been transposed, a suit of fur, a coat of mud, a kick in the pants, a lungful of glass, the sails in wind and the slap of waves on the hull...”
    Richard Siken

  • #19
    Richard Siken
    “You just wanted to prove there was one safe place, just one safe place where you could love him. You have not found that place yet.”
    Richard Siken, Crush

  • #20
    Warsan Shire
    “To my daughter I will say, when the men come, set yourself on fire.”
    Warsan Shire, Teaching My Mother How to Give Birth

  • #21
    Warsan Shire
    “Perhaps, the problem is not the intensity of your love, but the quality of the people you are loving.”
    Warsan Shire

  • #22
    Simon Van Booy
    “He thinks I suffer from depression. But I’m just quiet. Solitude and depression are like swimming and drowning. In school many years ago, I learned that flowers sometimes unfold inside themselves.”
    Simon Van Booy, Love Begins in Winter: Five Stories

  • #23
    Catherynne M. Valente
    “Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.”
    Catherynne M. Valente, Deathless

  • #24
    Catherynne M. Valente
    “Marya Morevna! Don't you know anything? Girls must be very, very careful to care only for ribbons and magazines and wedding rings. They must sweep their hearts clean of anything but kisses and theater and dancing. They must never read Pushkin; they must never say clever things; they must never have sly eyes or wear their hair loose and wander around barefoot, or they will draw his attention!”
    Catherynne M. Valente, Deathless

  • #25
    Catherynne M. Valente
    “Blue is for cruel bargains; green is for daring what you oughtn’t; violet is for brute force. I will say to you: Coral coaxes; pink insists; red compels. I will say to you: You are dear to me as attar of roses. Please do not get eaten.”
    Catherynne M. Valente, Deathless

  • #26
    Catherynne M. Valente
    “She was not filled up with the sight of him, the way she had seen her sisters fill up, like silk balloons, like wineskins. Instead, he seemed to land heavily within her, like a black stone falling.”
    Catherynne M. Valente, Deathless

  • #27
    Catherynne M. Valente
    “Men die. It's practically what they're for.”
    Catherynne M. Valente, Deathless

  • #28
    Catherynne M. Valente
    “I am selfish. I am cruel. My mate cannot be less than I.”
    Catherynne M. Valente, Deathless

  • #29
    Gillian Flynn
    “Love makes you want to be a better man—right, right. But maybe love, real love, also gives you permission to just be the man you are.”
    Gillian Flynn, Gone Girl

  • #30
    Gillian Flynn
    “The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.

    Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes.

    So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?

    So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.”
    Gillian Flynn, Gone Girl
    tags: love



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