Jon > Jon's Quotes

“certain kinds of analyses -- like those of Karatani here -- are analogous to creative works themselves, insofar as they propose a schema which it is the reader's task to construct and to project out onto the night sky of the mind's eye; and this is in fact, I believe, the way in which a good deal of contemporary theory is read by artists, who do no in fact use such books primarily for their perceptive contributions to the analysis of this or that familiar work of art, the way and older criticism was appealed to by readers of belles lettres. These younger "postmodern" readers, as I understand it, look at the theoretical abstractions of post-contemporary books in order to imagine the concrete referents to which those abstractions might possibly apply -- whether those are artistic languages or experiences of daily life. Here, the analysis produces the absent text of what remains to be invented, rather than modestly following along behind the achieved masterpiece with a running commentary. It is -- to use the expression again -- science-fictional (as benefits a culture like ours, just catching up with science fiction, not merely in content, but in its form): the new abstractions model the forms of reality that does not net exist, but which it would be interesting to experience.”
― Frederic Jameson

“I'm an occasional drinker, the kind of guy who goes out for a beer and wakes up in Singapore with a full beard.”
― Raymond Chandler, Philip Marlowe's Guide to Life

“I no longer think, as I once naively did, that we have much to learn directly from the Romans – or, for that matter, from the ancient Greeks, or from any other ancient civilisation. We do not need to read of the difficulties of the Roman legions in Mesopotamia or against the Parthians to understand why modern military interventions in western Asia might be ill advised. I am not even certain that those generals who claim to follow the tactics of Julius Caesar really do so in more than their own imaginations.
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But I am more and more convinced that we have an enormous amount to learn – as much about ourselves as about the past – by engaging with the history of the Romans, their poetry and prose, their controversies and arguments. Western culture has a very varied inheritance. Happily, we are not the heirs of the classical past alone. Nevertheless, since the Renaissance at least, many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury and beauty have been formed, and tested, in dialogue with the Romans and their writing.
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We do the Romans a disservice if we heroise them, as much as if we demonise them. But we do ourselves a disservice if we fail to take them seriously – and if we close our long conversation with them.”
― Mary Beard, SPQR: A History of Ancient Rome