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  • #1
    Ocean Vuong
    “Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #2
    Ocean Vuong
    “Too much joy, I swear, is lost in our desperation to keep it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #3
    Hanya Yanagihara
    “And he cries and cries, cries for everything he has been, for everything he might have been, for every old hurt, for every old happiness, cries for the shame and joy of finally getting to be a child, with all of a child's whims and wants and insecurities, for the privilege of behaving badly and being forgiven, for the luxury of tenderness, of fondness, of being served a meal and being made to eat it, for the ability, at last, at last, of believing a parent's reassurances, of believing that to someone he is special despite all his mistakes and hatefulness, because of all his mistakes and hatefulness.”
    Hanya Yanagihara, A Little Life

  • #4
    Jane Austen
    “In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”
    Jane Austen, Pride And Prejudice

  • #5
    Ocean Vuong
    “I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #6
    James Baldwin
    “People don't have any mercy. They tear you limb from limb, in the name of love. Then, when you're dead, when they've killed you by what they made you go through, they say you didn't have any character. They weep big, bitter tears - not for you. For themselves, because they've lost their toy.”
    James Baldwin, Another Country

  • #7
    André Aciman
    “Time makes us sentimental. Perhaps, in the end, it is because of time that we suffer.”
    André Aciman, Call Me by Your Name

  • #8
    André Aciman
    “We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
    Andre Aciman, Call Me by Your Name

  • #9
    Hanya Yanagihara
    “And yet he sometimes wondered if he could ever love anyone as much as he loved Jude. It was the fact of him, of course, but also the utter comfort of life with him, of having someone who had known him for so long and who could be relied upon to always take him as exactly who he was on that particular day. His work, his very life, was one of disguises and charades. Everything about him and his context was constantly changing: his hair, his body, where he would sleep that night. He often felt he was made of something liquid, something that was being continually poured from bright-colored bottle to bright-colored bottle, with a little being lost or left behind with each transfer. But his friendship with Jude made him feel that there was something real and immutable about who he was, that despite his life of guises, there was something elemental about him, something that Jude saw even when he could not, as if Jude's very witness of him made him real.”
    Hanya Yanagihara, A Little Life

  • #10
    Hanya Yanagihara
    “He will turn off the shower and lower himself into the tub and lean his cheek against the tile and wait to feel better. He will be reminded of how trapped he is, trapped in a body he hates, with a past he hates, and how he will never be able to change either. He will want to cry, from frustration and hatred and pain, but he hasn’t cried since what happened with Brother Luke, after which he told himself he would never cry again. He will be reminded that he is a nothing, a scooped-out husk in which the fruit has long since mummified and shrunk, and now rattles uselessly. He will experience that prickle, that shiver of disgust that afflicts him in both his happiest and his most wretched moments, the one that asks him who he thinks he is to inconvenience so many people, to think he has the right to keep going when even his own body tells him he should stop.”
    Hanya Yanagihara, A Little Life

  • #11
    Henri Cole
    “I'm standing in the lake, forming a whirlpool with my arms, letting the force of atonement pull me into its center until I cannot any longer hang onto my observations or any sense of myself, like dust and hydrogen clouds getting all excited white creating new stars to light the backyard. How poignantly emptiness cries out to be filled.”
    Henri Cole, Touch: Poems

  • #12
    André Aciman
    “Come, I'll take you to San Giacomo before you change your mind,' I finally said. 'There is still time before lunch. Remember the way?'

    'I remember the way.'

    'You remember the way,' I echoed.

    He looked at me and smiled. It cheered me. Perhaps because I knew he was taunting me.

    Twenty years was yesterday, and yesterday was just earlier this morning, and morning seemed light-years away.

    'I'm like you,' he said. 'I remember everything.'

    I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you're just ready to shut the door of the taxi and have already said goodbye to everyone else and there's not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name.”
    André Aciman, Call Me by Your Name

  • #13
    Sally Rooney
    “It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
    Sally Rooney, Normal People

  • #14
    Ocean Vuong
    “They say nothing lasts forever but they're just scared it will last longer than they can love it.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #15
    George Orwell
    “War is peace.
    Freedom is slavery.
    Ignorance is strength.”
    George Orwell, 1984

  • #16
    James Baldwin
    “I remember what it was...to be young, very young. When everything, touching and tasting-everything- was so new, and even suffering was wonderful because it was so complete.”
    James Baldwin, Another Country

  • #17
    James Baldwin
    “Love was a country he knew nothing about.”
    James Baldwin, Another Country

  • #18
    Sally Rooney
    “Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn't know if she would ever find out where it was or become part of it.”
    Sally Rooney, Normal People

  • #19
    Ocean Vuong
    “I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #20
    James Baldwin
    “We all commit our crimes. The thing is to not lie about them -- to try to understand what you have done, why you have done it. That way, you can begin to forgive yourself. That's very important. If you don't forgive yourself you'll never be able to forgive anybody else and you'll go on committing the same crimes forever.”
    James Baldwin, Another Country

  • #21
    Ocean Vuong
    “Did you know people get rich off of sadness? I want to meet the millionaire of American sadness. I want to look him in the eye, shake his hand, and say, 'it's been an honor to serve my country.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #22
    Henri Cole
    “Proximity to this death makes me nostalgic for the French language.”
    Henri Cole, Touch: Poems

  • #23
    Henri Cole
    “There's no animal that sleep-deprives itself like the human.”
    Henri Cole, Touch: Poems

  • #24
    Hanya Yanagihara
    “But it was true that for the first time, he was able to comprehend that the people he had grown to trust might someday betray him anyway, and that as disappointing as it might be, it was inevitable as well, and that life would keep propelling him steadily forward, because for everyone who might fail him in some way, there was at least one person who never would.”
    Hanya Yanagihara, A Little Life

  • #25
    Hanya Yanagihara
    “I know how you feel, Willem," Andy had said in one of their secret conversations, "but he doesn't want you to admire him; he wants you to see him as he is. He wants you to tell him that his life, as inconceivable as it is, is still a life.”
    Hanya Yanagihara, A Little Life
    tags: life

  • #26
    Charles Bukowski
    “I had noticed that both in the very poor and very rich extremes of society the mad were often allowed to mingle freely.”
    Charles Bukowski, Ham on Rye

  • #27
    John Steinbeck
    “And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed.”
    John Steinbeck, The Grapes of Wrath

  • #28
    John Steinbeck
    “A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.”
    John Steinbeck, The Grapes of Wrath

  • #29
    George Orwell
    “The best books... are those that tell you what you know already.”
    George Orwell, 1984

  • #30
    David Foster Wallace
    “The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
    David Foster Wallace



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