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  • #1
    Haruki Murakami
    “But how do you see you?" she asked.
    "Ever read The Brothers Karamazov?" I asked.
    "Once, a long time ago."
    "Well, toward the end, Alyosha is speaking to a young student named Kolya Krasotkin. And he says, Kolya, you're going to have a miserable future. But overall, you'll have a happy life."
    Two beers down, I hesitated before opening my third.
    "When I first read that, I didn't know what Alyosha meant," I said. "How was it possible for a life of misery to be happy overall? But then I understood, that misery could be limited to the future."
    "I have no idea what you're talking about."
    "Neither do I," I said. "Not yet.”
    Haruki Murakami, Hard-Boiled Wonderland and the End of the World

  • #2
    Haruki Murakami
    “Once, when I was younger, I thought I could be someone else. I'd move to Casablanca, open a bar, and I'd meet Ingrid Bergman. Or more realistically - whether actually more realistic or not - I'd tune in on a better life, something more suited to my true self. Toward that end, I had to undergo training. I read The Greening of America, and I saw Easy Rider three times. But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't anywhere. I was myself, waiting on the shore for me to return.”
    Haruki Murakami, Hard-Boiled Wonderland and the End of the World

  • #3
    Sylvia Plath
    “I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
    Sylvia Plath, The Bell Jar

  • #4
    J.D. Salinger
    “Bessie: 'Why don't you get married?'
    Zooey: 'I like riding in trains too much. You never get to sit next to the window anymore when you're married.”
    J.D. Salinger, Franny and Zooey

  • #5
    Haruki Murakami
    “A fire can be any shape it wants to be. It's free. So it can look like anything at all, depending on what's inside the person looking at it. If you get this deep, quiet kind of feeling when you look at a fire, that's because it's showing you the deep, quiet kind of feeling you have inside yourself...”
    Haruki Murakami, After the Quake

  • #6
    Sylvia Plath
    “If neurotic is wanting two mutually exclusive things at one and the same time, then I'm neurotic as hell. I'll be flying back and forth between one mutually exclusive thing and another for the rest of my days.”
    Sylvia Plath, The Bell Jar

  • #7
    J.D. Salinger
    “I have scars on my hands from touching certain people…Certain heads, certain colours and textures of human hair leave permanent marks on me.”
    J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction



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