:-) > :-)'s Quotes

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  • #1
    Tove Jansson
    “Don’t worry we shall have wonderful dreams, and when we wake up it’ll be spring.”
    Tove Jansson

  • #2
    David  Lynch
    “I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful.”
    David Lynch

  • #3
    David  Lynch
    “Ideas are like fish. If you want to catch little fish, you can stay in the shallow water. But if you want to catch the big fish, you’ve got to go deeper. Down deep, the fish are more powerful and more pure.They’re huge and abstract. And they’re very beautiful.”
    David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity

  • #4
    David  Lynch
    “We think we understand the rules when we become adults but what we really experience is a narrowing of the imagination.”
    David Lynch

  • #5
    David  Lynch
    “I don’t think that people accept the fact that life doesn’t make sense. I think it makes people terribly uncomfortable.”
    David Lynch

  • #6
    David  Lynch
    “I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force--a wild pain and decay--also accompanies everything.”
    David Lynch

  • #7
    David  Lynch
    “My cow is not pretty, but it is pretty to me.”
    David Lynch
    tags: moo

  • #8
    David  Lynch
    “Everything I learned in my life, I learned because I decided to try something new.”
    David Lynch

  • #9
    David  Lynch
    “I wouldn't know what to do with [colour]. Colour to me is too real. It's limiting. It doesn't allow too much of a dream. The more you throw black into a colour, the more dreamy it gets… Black has depth. It's like a little egress; you can go into it, and because it keeps on continuing to be dark, the mind kicks in, and a lot of things that are going on in there become manifest. And you start seeing what you're afraid of. You start seeing what you love, and it becomes like a dream.”
    David Lynch, Lynch on Lynch

  • #10
    David  Lynch
    “It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else.”
    David Lynch

  • #11
    David  Lynch
    “The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say “No, no, no, no, that's not what that was about.” You know? “This is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid.”
    David Lynch

  • #12
    David  Lynch
    “This idea comes to you, you can see it, but to accomplish it you need what I call a "setup." For example, you may need a working shop or a working painting studio. You may beed a working music studio. Or a computer room where you can write something. It's crucial to have a setup, so that, at any given moment, when you get an idea, you have the place and the tools to make it happen. If you don't have a setup, there are many times when you get the inspiration, the idea, but you have no tools, no place to put it together. And the idea just sits there and festers. Overtime, it will go away. You didn't filfill it--and that's just a heartache.”
    David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity

  • #13
    David  Lynch
    “I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it.”
    David Lynch

  • #14
    David  Lynch
    “The beautiful thing is that when you catch one fish that you love, even if it’s a little fish—a fragment of an idea—that fish will draw in other fish, and they’ll hook onto it. Then you’re on your way. Soon there are more and more and more fragments, and the whole thing emerges. But it starts with desire.”
    David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity: 10th Anniversary Edition

  • #15
    David  Lynch
    “The house is a place where things can go wrong.”
    David Lynch, Lynch on Lynch

  • #16
    David  Lynch
    “It’s maybe impossible to escape (your own head), but I guess the secret is the prison cell just gets bigger and bigger and bigger and prettier and prettier and prettier.”
    David Lynch

  • #17
    David  Lynch
    “That state of simplest form of awareness alone, is worthy of seeing, hearing, contemplating and realizing.”
    David Lynch

  • #18
    David  Lynch
    “When you see an aging or a rusted bridge, you are seeing nature and man working together. If you paint over a building there is no more magic to that building. But if it is allowed to age, then man has built it and nature has added into it — it’s so organic.”
    David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity

  • #19
    David  Lynch
    “These growth hormones, where can I get a bunch of them? Is there some way that, with electricity, you could stimulate your own growth hormones? Plug yourself in for five minutes, there'd be a little jolt, but you'd get used to it. It wouldn't be bad at all; in fact, you'd get to enjoy it, probably. Then away you'd go, and youth wouldn't be wasted on the young anymore. You'd be 25, with a 95-year-old mind. Granddad would start breaking into liquor stores and staying out late. Hope we have it soon!”
    David Lynch

  • #20
    David  Lynch
    “Inside, we are ageless...and when we talk to ourselves, it's the same age of the person we were talking to when we were little. It's the body that is changing around that ageless center.”
    David Lynch

  • #21
    David  Lynch
    “Desire for an idea is like bait. When you're fishing, you have to have patience. You bait your hook, and then you wait.The desire is the bait that pulls those fish in—those ideas. The beautiful thing is that when you catch one fish that you love, even if it's a little fish—a fragment of an idea—that fish will draw in other fish, and they'll hook onto it. Then you're on your way. Soon there are more and more and more fragments, and the whole thing emerges. But it starts with desire.”
    David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity

  • #22
    David  Lynch
    “When you finish anything, people want you to then talk about it. And I think it’s almost like a crime. A film or a painting – each thing is its own sort of language and it’s not right to try to say the same thing in words. The words are not there. The language of film, cinema, is the language it was put into, and the English language – it’s not going to translate. It’s going to lose.”
    David Lynch

  • #23
    David  Lynch
    “I don't necessarily love rotting bodies, but there's a texture to a rotting body that is unbelievable. Have you ever seen a little rotted animal? I love looking at those things, just as much as I like to look at a close-up of some tree bark, or a small bug, or a cup of coffee, or a piece of pie. You get in close and the textures are wonderful.”
    David Lynch, Catching the Big Fish: Meditation, Consciousness, and Creativity

  • #24
    David  Lynch
    “If we didn't want to upset anyone, we would make films about sewing, but even that could be dangerous.”
    David Lynch



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