“The light that fell in here was mottled by the stained-glass windows of the treetops, where every leaf was like a piece of crystal playing with the light according to its own rules. Wojnicz walked along a central nave toward an altar in the distance, not yet visible, but everything foretold it—this was a church full of labyrinths, side naves, crypts beneath the stones, tabernacles hidden in holes in the trees, altars materializing on the mossy trunks of toppled beeches. This church was not at all definite, like a man-made church, but a place of constant change: of water into life, and of light into matter. Everything here was rustling, swelling, gathering, growing and multiplying, budding and trilling. The green moss and gray lichen made the forest seem carpeted in Persian rugs—in velveteen, sheepskin, woolly felt and soft flannel. Why on earth hadn’t he come here sooner?”
―
Olga Tokarczuk,
The Empusium: A Health Resort Horror Story