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WINTER LIES too long in country towns; hangs on until it is stale and shabby, old and sullen.
It was the soft, amiable Negro voice, like those I remembered from early childhood, with the note of docile subservience in it. He had the Negro head, too; almost no head at all; nothing behind the ears but folds of neck under close-clipped wool. He would have been repulsive if his face had not been so kindly and happy.
But the next time Samson had a chance, he ran away again. If Miss d'Arnault stopped practising for a moment and went toward the window, she saw this hideous little pickaninny, dressed in an old piece of sacking, standing in the open space between the hollyhock rows, his body rocking automatically, his blind face lifted to the sun and wearing an expression of idiotic rapture.
He could never learn like other people, never acquired any finish. He was always a Negro prodigy who played barbarously and wonderfully. As piano-playing, it was perhaps abominable, but as music it was something real, vitalized by a sense of rhythm that was stronger than his other physical senses—that not only filled his dark mind, but worried his body incessantly. To hear him, to watch him, was to see a Negro enjoying himself as only a Negro can.