Keith

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Coriolanus is a complicated dramatic character, the more so because he seems to have uncanny ahistorical similarities with embedded social types of a much later era, like the products of late-nineteenth-and early-twentieth-century British public schools: he is repressed; devoted to authority; committed to male bonding, fellowship, risk, and danger; slightly overpunctilious; impatient or condescending toward perceived social inferiors;
Shakespeare After All
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