Daniel Moore

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Brokeback Mountain could tell its story and not necessarily be a great movie. It could be a melodrama. It could be a “gay cowboy movie.” But the filmmakers have focused so intently and with such feeling on Jack and Ennis that the movie is as observant as work by Bergman. Strange but true: The more specific a film is, the more universal, because the more it understands individual characters, the more it applies to everyone. I can imagine someone weeping at this film, identifying with it because he always wanted to stay in the marines, or be an artist or a cabinetmaker.
Roger Ebert's Four Star Reviews, 1967-2007
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