Me and You and Everyone We Know is a balancing act, as July ventures into areas that are risky and transgressive, but uses a freshness that disarms them, a directness that accepts human nature and likes to watch it at work. The MPAA gave it an R rating “for disturbing sexual content involving children,” but the one thing it isn’t is disturbing. When the movie was over at Sundance, I let out my breath and looked across the aisle at another critic. I wanted to see if she felt how I did. “What did you think?” she said. “I think it’s the best film at the festival,” I said. “Me too,” she said.
