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If Thucydides’ historical material is less rich and enchanting than The Persian Wars of Herodotus, his carefully chosen military episodes and political speeches by themselves explicitly reveal cause and effect (1.97.2), follow a discernible chronology (5.20.2–3), and often lead to more profound and general truths about human experience (3.82–84; 5.85–116). And perhaps most importantly, Thucydides suffered through a war (5.26.5) far more lengthy, brutal, and horrific than the allied Greeks’ noble defense of their country a half century earlier, an experience that must in some part account for
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“Revolution thus ran its course from city to city, and the places where it arrived at last, from having heard what had been done before carried to a still greater excess the refinement of their inventions, as manifested in the cunning of their enterprises and the atrocity of their reprisals. Words had to change their ordinary meanings and to take those which were now given them. Reckless audacity came to be considered the courage of a loyal supporter; prudent hesitation, specious cowardice; moderation was held to be a cloak for unmanliness; ability to see all sides of a question incapacity to
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At Book 1.21–22 Thucydides clearly outlined his own methods of historical inquiry, offering a self-conscious candor rare in ancient narrative writing. He did not trust first impressions, he says, not even his own. But through inquiry and cross-examination of witnesses (“tried by the most severe and detailed tests possible”), autopsy, and apparent inspection of written documents, Thucydides claims an objective inquiry that has “cost me some labor.” His later admission that his own exile allowed him time for careful investigation, “especially with the Peloponnesians” (5.26.5), suggests the image
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“With reference to the speeches in this history, some were delivered before the war began, others while it was going on; some I heard myself, others I got from various quarters; it was in all cases difficult to carry them word for word in one’s memory, so my habit has been to make the speakers say what was in my opinion demanded of them by the various occasions, of course adhering as closely as possible to the general sense of what they really said.”
Succeeding generations of Greeks and Romans credited Thucydides with establishing objective history. His considerable skill in presenting that doctrine in formal prose left an undeniable mark even on his immediate literary successors, who likewise saw history as largely the unromantic story of political and military affairs. Indeed, many inquirers—Xenophon, Cratippus, and Theopompus—began their accounts where Thucydides had left off in 411. It is no surprise, then, that subsequent ancient historians were judged largely by the degree to which they followed the canons of accuracy and integrity
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Thucydides suggests, I think, that the legacy of the Peloponnesian War would not be the victory of Spartan authoritarianism and the repudiation of the imperial democratic culture of Athens. No, it would be the irrevocable exhaustion and bankruptcy of the Greek city-state itself. The polis was, after all, an egalitarian but closed and static institution that could not adapt well to the military, economic, and political challenges of the wider Mediterranean world, changes initiated by the Persian invasion at the beginning of the fifth century, but dramatically and tragically elaborated by the
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Yet to perceive a personally engaged and emotional Thucydides, with clear preferences in his selection of material, is not necessarily to dispense with the notion of objectivity.
An historian, remember, can (and should) be judgmental and opinionated, but he is not necessarily unfair or biased—if, as in the case of Thucydides, his evidence and method of inquiry are stated candidly for review and rebuttal.
More curious is Thucydides’ very limited angle of vision.
The Peloponnesian War turns out to be no dry chronicle of abstract cause and effect. No, it is above all an intense, riveting, and timeless story of strong and weak men, of heroes and scoundrels and innocents too, all caught in the fateful circumstances of rebellion, plague, and war that always strip away the veneer of culture and show us for what we really are.
An illustration of this is furnished by the honor with which some of the inhabitants of the continent still regard a successful marauder, and by the question we find the old poets everywhere representing the people as asking of voyagers—“Are they pirates?”—as if those who are asked the question would have no idea of disclaiming the imputation, or their interrogators of reproaching them for it. [3] The same pillaging prevailed also on land.