All The Pretty Horses (The Border Trilogy, #1)
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A goodlookin horse is like a goodlookin woman, he said. They’re always more trouble than what they’re worth. What a man needs is just one that will get the job done.
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Before the colt could struggle up John Grady had squatted on its neck and pulled its head up and to one side and was holding the horse by the muzzle with the long bony head pressed against his chest and the hot sweet breath of it flooding up from the dark wells of its nostrils over his face and neck like news from another world.
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The prison was no more than a small walled village and within it occurred a constant seethe of barter and exchange in everything from radios and blankets down to matches and buttons and shoenails and within this bartering ran a constant struggle for status and position. Underpinning all of it like the fiscal standard in commercial societies lay a bedrock of depravity and violence where in an egalitarian absolute every man was judged by a single standard and that was his readiness to kill.
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In history there are no control groups. There is no one to tell us what might have been. We weep over the might have been, but there is no might have been. There never was. It is supposed to be true that those who do not know history are condemned to repeat it. I dont believe knowing can save us. What is constant in history is greed and foolishness and a love of blood and this is a thing that even God—who knows all that can be known—seems powerless to change.