Midnight's Children

by Salman Rushdie

Saleem, today, is certain that he answered, “Yes”; that on the selfsame morning, still dressed in shapeless robe, still inseparable from a silver spittoon, he walked away, without looking back at a girl who followed him with eyes moistened with accusations; that, strolling hastily past practising jugglers and sweetmeat-stalls which filled his nostrils with the temptations of rasgullas, past barbers offering shaves for ten paisa, past the derelict maunderings of crones and the American-accented caterwauls of shoe-shine boys who importuned bus-loads of Japanese tourists in identical blue suits and incongruous saffron turbans which had been tied around their heads by obsequiously mischievous guides, past the towering flight of stairs to the Friday Mosque, past vendors of notions and itr-essences and plaster-of-Paris replicas of the Qutb Minar and painted toy horses and fluttering unslaughtered chickens, past invitations to cockfights and empty-eyed games of cards, he emerged from the ghetto of the illusionists and found himself on Faiz Bazar, facing the infinitely-extending walls of a Red Fort from whose ramparts a prime minister had once announced independence, and in whose shadow a woman had been met by a peepshow-merchant, a Dilli-dekho man who had taken her into narrowing lanes to hear her son’s future foretold amongst mongeese and vultures and broken men with leaves bandaged around their arms; that, to be brief, he turned to his right and walked away from the Old City to...