When he painted Washington in 1772, Charles Willson Peale observed an instance of Washington’s herculean strength that he never forgot: One afternoon, several young gentlemen, visitors at Mount Vernon, and myself were . . . pitching the bar . . . when suddenly the colonel [Washington] appeared among us. He requested to be shown the pegs that marked the bounds of our efforts; then, smiling, and without putting off his coat, held out his hand for the missile. No sooner did the heavy iron bar feel the grasp of his mighty hand than it lost the power of gravitation . . . striking the ground far . .
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