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The plain fact is that certain things having to do with fiction production are different for young U.S. writers now. And television is at the vortex of most of the flux. Because younger writers are not only Artists probing for the nobler interstices in what Stanley Cavell calls the reader’s “willingness to be pleased”; we are also, now, self-defined parts of the great U.S. Audience, and have our own aesthetic pleasure-centers; and television has formed and trained us.
