Hackers: Heroes of the Computer Revolution

by Steven Levy

At first, the artistic goals of the hacker coincided neatly with the marketplace, because the marketplace had no expectations, and the hackers could blithely create the games they wanted to play, and adorn business programs with the nifty features that displayed their artistry. But as more nontechnical people bought computers, the things that impressed hackers were not as essential. While the programs themselves had to maintain a certain standard of quality, it was quite possible that the most exacting standards—those applied by a hacker who wanted to add one more feature, or wouldn’t let go of a project until it was demonstrably faster than anything else around—were probably counterproductive. What seemed more important was marketing. There were plenty of brilliant programs which no one knew about. Sometimes hackers would write programs and put them in the public domain, give them away as easily as John Harris had lent his early copy of Jawbreaker to the guys at the Fresno computer store. But rarely would people ask for public domain programs by name: they wanted the ones they saw advertised and discussed in magazines, demonstrated in computer stores. It was not so important to have amazingly clever algorithms. Users would put up with more commonplace ones.