Chad Lare

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Often, at the key moment of confrontation, the villain suddenly collapses, seemingly tuckered out by all his energetic villainy. The good guys, having been helpless to defeat the antagonist for 200 pages, now poke him gently and he obligingly deflates, seemingly aware that this is the climax of the book, and that’s his job.
How Not to Write a Novel: 200 Classic Mistakes and How to Avoid Them—A Misstep-by-Misstep Guide
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