We had a long discussion about Schönberg, whom he defends.”—“That doesn’t surprise me. No serious composer could think otherwise.”—“Oh, you’re on his side too?” He shrugged his shoulders: “Schönberg never got involved in politics. And also his greatest disciples, like Webern or Üxküll, are real Aryans, aren’t they? What Schönberg discovered, serial composition, is a sonic potentiality that was always there, a rigor that was so to speak hidden by the deliberate vagueness of the tempered scales, and after him, anyone can use it to do what he wants with it. It’s the first genuine advance in music
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