Berndt doesn’t like Wagner.”—“That’s an understatement,” he went on. “I detest him. Technically, there are some extraordinary discoveries, some truly new, objective things, but that’s all lost in bombast, gigantism, and also the coarse manipulation of emotions, like the vast majority of German music since 1815. It’s written for people whose main musical reference is still basically the military fanfare. Reading Wagner’s scores fascinates me, but I could never listen to them.”
