“Excuse me, Freiherr, but it would seem to me that it would be difficult to describe Schönberg’s music as German music.”—“Young man,” von Üxküll retorted dryly, “don’t you try to give me lessons in anti-Semitism. I was an anti-Semite before you were born, even if I remain old-school enough to believe that the sacrament of baptism is powerful enough to wash away the strain of Judaism. Schönberg is a genius, the greatest since Bach. If the Germans don’t want him, that’s their problem.”
