I looked at the buildings on the other side of the street. Many façades had collapsed, revealing the interior of the apartments, a series of dioramas of everyday life, powdered with snow and sometimes odd: on the third floor, a bicycle hanging on the wall; on the fourth, flowered wallpaper, an intact mirror, and a framed reproduction of Kramskoy’s haughty Unknown Woman; on the fifth, a green sofa with a corpse lying on it, its feminine hand dangling in the void.
