The Kindly Ones

by Jonathan Littell

I thought about what I had seen in Poland, but for some reason I couldn’t explain, my thinking skimmed over the images and came to rest on the words. The words preoccupied me. I had been wondering how much the differences between German and Russian reactions to mass killings (differences that caused us finally to change our method to make the thing somehow easier, while the Russians seemed, even after a quarter century, to remain unmoved by it) had to do with differences of vocabulary. The word Tod, after all, has the stiffness of a clean, already cold, almost abstract corpse, the finality in any case of the after-death, whereas smiert’, the Russian word, is as heavy and greasy as the thing itself. What about French, in that case? That language, for me, remained dependent on the feminization of death by Latin: What a difference finally between la Mort and all the almost warm, tender images it gives rise to, and the terrible Thanatos of the Greeks! The Germans had at least preserved the masculine (smiert’, it should be said in passing, is also feminine).