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The creation of this story was an exercise in personal agony. My only daughter, Alice, had died of leukemia eight years before the publication of this book. My grief was still raw. My heart still bled. In fact, I could not even then bring myself to discuss the loss. I made Frimme Hersh’s daughter an “adopted child.” But his anguish was mine. His argument with God was also mine. I exorcised my rage at a deity that I believed violated my faith and deprived my lovely 16-year-old child of her life at the very flowering of it. This is the first time in thirty-four years that I have openly discussed
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The text and the balloons are interlocked with the art. I see all these as threads of a single fabric and exploit them as a language. If I have been successful at this, there will be no interruption in the flow of narrative because the picture and the text are so totally dependent on each other as to be inseparable for even a moment.

