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Much has been made of how autobiographical or not Lermontov’s personality sketch of Pechorin is. In the end, though, that hardly seems to matter. Whether emerging from a poisoned look in the mirror or derived from a thousand details of his friends and neighbors, Lermontov gets the alchemy just right and creates one of the most vivid and persuasive portraits of the male ego ever put down on paper.
And he was right, we might not have made it, but we did in fact make it, and if everyone discussed things more, then they would convince themselves that life isn’t worth the constant worry . . .
But the staff captain’s observation was more pardonable: in order to restrain himself from wine, he, of course, was trying to persuade himself that all the misfortunes of the world have their origins in drink.
We said our farewells with a certain dryness.
The story of a man’s soul, even the pettiest of souls, is only slightly less intriguing and edifying than the history of an entire people, especially when it is a product of the observations of a ripe mind about itself, and when it is written without the vain desire to excite sympathy or astonishment.
I confess that I have a strong prejudice against the blind, the cross-eyed, the deaf, the mute, the legless, the armless, the hunch-backed and the like. I have noticed that there is always a sort of strange relationship between the exterior of a person and his soul. It is as if, with the loss of a feature, the soul loses some kind of sensibility.
They profess deep disdain toward provincial houses and long for the aristocratic drawing rooms of the capital where they wouldn’t be admitted.
He is fairly sharp: his epigrams are often amusing, but they are never well-aimed or wicked. He will never slay a person with one word. He doesn’t know people and their weak strings because he has been occupied with himself alone for his whole life. His goal is to be the hero of a novel. He has so often tried to convince people that he is not of this world but is doomed to some sort of secret torture, that he has almost convinced himself of it.
“Mon cher, je haïs les hommes pour ne pas mépriser, car autrement la vie serait une farce trop dégoutante.”5
“je méprise les femmes pour ne pas les aimer, car autrement la vie serait un mélodrame trop ridicule.”6
“Of the fact,” he replied, “that sooner or later, one fine day, I will die.” “I am richer than you,” I said, “as I have, apart from that, another conviction, which is that one very nasty evening I had the misfortune of being born.” Everyone found that we were talking nonsense, but, really, not one of them said anything any cleverer than that.
We could see the kernel of each of our feelings through a three-layered shell. Sad things are funny to us. Funny things are sad to us. And in general, to tell the truth, we are indifferent to everything apart from our selves. And thus, there cannot be an exchange of feelings and thoughts between us. We know everything we wish to know about each other, and don’t wish to know more. One solution remains: to discuss the news. Can you give me any news?”
“You are resolute in not wanting to be introduced to the Ligovskys?” he said to me yesterday. “Resolute.” “As you please! It is the most pleasant household at the spa! All the best society here . . .” “My friend, I’m tired even of the best society that is not here.
Your silence must excite her curiosity, your conversation should never quench it.
“Perhaps,” I thought, “this is exactly why you loved me: joys are forgotten, but sadness, never
The meanings of the sounds replace and add to the meanings of the words, as in an Italian opera.
Yes, I have already surpassed that period in a soul’s life when it seeks only happiness, when the heart feels a necessity to love someone strongly and ardently. Now I only want to be loved, and at that, only by a very few. It seems to me, even, that one constant attachment would be enough for me—a sorry habit of the heart!
en pique-nique.
“Ne craignez rien, madame—je ne suis pas plus dangereux que votre cavalier.”
This is not that restless need for love, which torments us in the early years of youth and throws us from one woman to the other, until we find one that can’t stand us.
But there is an unbounded pleasure to be had in the possession of a young, newly blossoming soul! It is like a flower, from which the best aroma evaporates when meeting the first ray of the sun; you must pluck it at that minute, breathing it in until you’re satisfied, and then throw it onto the road: perhaps someone will pick it up!
I feel this insatiable greed, which swallows everything it meets on its way. I look at the suffering and joy of others only in their relation to me, as though it is food that supports the strength of my soul. I myself am not capable of going mad under the influence of passion. My ambition is stifled by circumstances, but it has manifested itself in another way, for ambition is nothing other than a thirst for power, and my best pleasure is to subject everyone around me to my will, to arouse feelings of love, devotion and fear of me—is this not the first sign and the greatest triumph of power?
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Our conversation began with gossip: I started to go through our acquaintances, both present and absent. At first I exposed their amusing sides, and then their bad sides. My bile was excited. I began by jesting—and finished with sincere malice. Initially this amused her, and then it frightened her.
I am like a sailor, born and bred on the deck of a pirate ship. His soul has got used to storms and battles, and, when thrown ashore, he pines and languishes much as the shady groves beckon him, much as the peaceful sun shines at him. He walks along the coastal sands all day, listening to the monotonous murmur of the lapping waves and peering into the cloudy distance: is that the sail he seeks, on the pale line that separates the blue deep from the little gray storm clouds—at first resembling the wing of a seagull, but little by little, separating from the foam of the boulders, with a steady
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