Adam Glantz

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For Fassbinder and a coming generation of angrily dissenting West Germans, the newfound qualities of the new Germany in its new Europe—prosperity, compromise, political demobilization and a tacit agreement not to arouse the sleeping dogs of national memory—did not deflect attention from the old defects. They were the old defects, in a new guise.
Postwar: A History of Europe Since 1945
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