Reitz, like Syberberg and others, was publicly scornful of the American television series ‘Holocaust’, first shown on German television in 1979. If there were to be depictions of Germany’s past, however painful, then it was the business of Germans to produce them. ‘The most radical process of expropriation there is,’ wrote Reitz, ‘is the expropriation of one’s own history. The Americans have stolen our history through Holocaust.’ The application of a ‘commercial aesthetic’ to Germany’s past was America’s way of controlling it. The struggle of German directors and artists against American
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