Phil Eaton

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As early as 1927 the UK Parliament had passed a law instituting a quota system, under which 20 percent of all films released in Britain by 1936 had to be British made. After World War Two the British Government’s goal was to set this quota at 30 percent for 1948. The French, Italians and Spanish all pursued similar or even more ambitious objectives (the German film industry, of course, was in no position to demand such protection). But heavy lobbying by Hollywood kept State Department pressure on European negotiators, and agreement to allow entry for US films was part of every major bipartite ...more
Postwar: A History of Europe Since 1945
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