Inevitably, many Italian intellectuals (especially younger ones) had accepted support and subsidies from the Fascist state: the alternative was exile or silence. Elio Vittorini himself had won prizes in Fascist literary competitions. Vittorio de Sica was a well-known actor in Fascist-era films before becoming the leading exponent of post-war Neo-Realism. His fellow Neo-Realist director Roberto Rossellini, whose post-war films were distinctly Communist in their political sympathies, had just a few years before made documentaries and feature films in Mussolini’s Italy with help from the
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