Anyone familiar with Nordic culture, from Ibsen and Munch through Ingmar Bergman, will recognise another side of Scandinavian life: its self-interrogating, incipiently melancholic quality—popularly understood in these years as a propensity to depression, alcoholism and high suicide rates. In the 1960s and at times since, it pleased conservative critics of Scandinavian politics to blame these shortcomings on the moral paralysis induced by too much economic security and centralised direction. And then there was the concurrent propensity of Scandinavians to take off their clothes in public (and
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