Postwar: A History of Europe Since 1945

by Tony Judt

As a result of American domination of the European market, the European films of this period are not always the most reliable guide to European filmgoers’ experience or sensibilities. The British viewer especially was quite likely to form a sense of contemporary Englishness as much from Hollywood’s presentation of England as from his or her own direct experience. It is a matter of some note that among the films of the forties, Mrs Miniver (1942)—a very English tale of domestic fortitude and endurance, of middle-class reticence and perseverance, set symptomatically around the disaster at Dunkirk where all these qualities were taken to be most on display—was a pure product of Hollywood. Yet for the English generation that first saw it the film would long remain the truest representation of national memory and self-image.