The Year of the Flood (MaddAddam, #2)

by Margaret Atwood

According to Adam One, the Fall of Man was multidimensional. The ancestral primates fell out of the trees; then they fell from vegetarianism into meat-eating. Then they fell from instinct into reason, and thus into technology; from simple signals into complex grammar, and thus into humanity; from firelessness into fire, and thence into weaponry; and from seasonal mating into an incessant sexual twitching. Then they fell from a joyous life in the moment into the anxious contemplation of the vanished past and the distant future.

“What you mean is, with God in the story there’s a penalty,” said Toby. “Yes,” said Adam One. “There’s a penalty without God in the story too, needless to say. But people are less likely to credit that. If there’s a penalty, they want a penalizer. They dislike senseless catastrophe.”

Glenn used to say the reason you can’t really imagine yourself being dead was that as soon as you say, “I’ll be dead,” you’ve said the word I, and so you’re still alive inside the sentence. And that’s how people got the idea of the immortality of the soul — it was a consequence of grammar.