Persian Fire

by Tom Holland

The hype also served a more profound purpose. Cleisthenes understood his countrymen well; he knew that the Athenian people, revolutionaries though they had rather startlingly proved themselves to be, remained, in their souls, traditionalists still. Far from glorying in the novel character of the democracy, they craved reassurance that it was rooted in their past. Cleisthenes, ever subtle, had therefore been sure to adorn even his most daring experiments in the fustian of tradition. The tribes, for instance, had all been given the names of antique heroes, as though, like the Athenians themselves, they had sprung not from Cleisthenes’ fertile brain but directly from the soil. Even the democracy itself, so its founders implied, far from being something new, was in fact the primordial birthright of all the people of Attica, having originally been bequeathed to them back in the days of legend by the celebrated hero Theseus, slayer of the minotaur. Seen in such a light, what were the two tyrannicides themselves but monster killers, selfless patriots who had died in order that Athenian democracy might be restored? Smoke and mirrors all, of course—and hardly paying to Cleisthenes and his associates anything remotely like their due. Yet it is perhaps the clinching proof of their greatness that even Cleisthenes himself,