Persian Fire

by Tom Holland

When the Assyrian kings had portrayed themselves trampling their foes, they had done so in the most extravagant and blood-spattered detail, amid the advance of siege engines, the flight of the defeated, piles of loot and severed heads. There were no such specifics at Bisitun. What mattered to Darius was not the battle, but that the battle had been won; not the bloodshed but that the blood had dried, and an age of peace had dawned. Yes, the victory over the liar-kings had been a great and terrible one, and because it had proved the truth of what he had always insisted, that he was indeed the champion of Ahura Mazda, the new king had ordered its details to be recorded and proclaimed. Never again, however, would he permit himself to be shown enclosed within mere events. As universal monarch, he was now above such things. Just as Lord Mazda dwelt beyond the rhythms of the world, so had his proxy, the King of Persia, transcended space and time. History, in effect, had been brought to a glorious close. The Persians’ empire was both its end and its summation—for what could a dominion be that contained within it all the limits of the horizon, if not the bulwark of a truly cosmic order? Such a monarchy, now that Darius had redeemed it from the Lie, might be expected to endure for all eternity: infinite, unshakable, the watchtower of the Truth.