Cannery Row (Cannery Row, #1)

by John Steinbeck

Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream.

Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitants are, as the man once said, “whores, pimps, gamblers, and sons of bitches,” by which he meant Everybody. Had the man looked through another peephole he might have said, “Saints and angels and martyrs and holy men,” and he would have meant the same thing.

And perhaps that might be the way to write this book—to open the page and to let the stories crawl in by themselves.

The word is a symbol and a delight which sucks up men and scenes, trees, plants, factories, and Pekinese. Then the Thing becomes the Word and back to Thing again, but warped and woven into a fantastic pattern. The Word sucks up Cannery Row, digests it and spews it out, and the Row has taken the shimmer of the green world and the sky-reflecting seas.

She had long dancer’s legs and dancer’s feet and she seemed never to touch the ground when she walked. When she was excited, and she was excited a good deal of the time, her face flushed with gold. Her great-great-great-great-great grandmother had been burned as a witch.

Mary Talbot is the best 👍👌