The larger point I am trying to make, however, is that all these subsequent editions—those of Stephanus included—ultimately go back to Erasmus’s editio princeps, which was based on some rather late, and not necessarily reliable, Greek manuscripts—the ones he happened to find in Basel and the one he borrowed from his friend Reuchlin. There would be no reason to suspect that these manuscripts were particularly high in quality. They were simply the ones he could lay his hands on.