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“the System,” the “immeasurable Steam-Engine.” To both, again, all is significant, but negatively significant, so that every event is utterly pointless, every object intensely unreal, every self-styled human being a clockwork dummy, grotesquely going through the motions of work and play, of loving, hating, thinking, of being eloquent, heroic, saintly, what you will—the robots are nothing if not versatile.
The Doors of Perception/Heaven and Hell
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