The Case for God

by Karen Armstrong

But there are a few clues to aid our understanding. A remarkable picture, dated to about 12,000 BCE, in a cave at Lascaux known as the Crypt because it is even deeper than the other caverns, depicts a large bison that has been eviscerated by a spear thrust through its hindquarters. Lying in front of the wounded beast is a man, drawn in a far more rudimentary style than the animals, with arms outstretched, phallus erect, and wearing what seems to be a bird mask; his staff, which lies on the ground nearby, is also topped by a bird’s head. This seems to be an illustration of a well-known legend and could have been the founding myth of the sanctuary. The same scene appears on an engraved reindeer horn at nearby Villars and on a sculpted block in a cliff shelter at Roc de Sers near Limoges, which is five thousand years older than the Lascaux painting.7 Fifty-five similar images in the other caves and three more Palaeolithic rock drawings in Africa have been found, all showing men confronting animals in a state of trance with upraised arms.8 They are probably shamans.