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March 16 - April 16, 2023
He is sullen, angry or depressed.
4) Hopelessness He has made statements like “What’s the use?” “Nothing ever changes anyway;” “I’ve got no future.”
5) Identification He identifies with or even praises other perpetrators of workplace violence. He refers to, jokes about, or is fascinated with news stories about major acts of violence.
6) Co-worker fear
Co-workers are afraid of or apprehensive about him (whether or not they can articulate their reasons). This PIN seeks to capture the intuition of co-workers. 7) TIME He has used threats, intimidations, manipulations, or escalations toward management or co-workers. 8) Paranoia He feels others are “out to get” him, that unconnected events are related, that others conspire against him. 9) Criticism He reacts adversely to criticism, shows suspicion of those who criticize him, and refuses to consider the merits of any critical observations about his performance or behavior. 10) Blame He blames
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He has undertaken or attached himself to crusades or missions at work. (This is particularly significant if he has waged what he might characterize as a “one-man war”). 12) Unreasonable Expectations He expects elevation, long-term retention, an apology, being named “the winner” in some dispute, or being found “right.” 13) Grievance He has a grievance pending or he has a history of filing unreasonable grievances. 14) Police encounters He has had recent police encounters (including arrests) or he has a history that includes assaultive or behavioral offenses. 15) Media There have recently been
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He has monitored the behavior, activities, performance, or comings and goings of other employees, though it is not his job to do so; he has maintained a file or dossier on another employee or he has recently stalked someone in or out of the workplace. (Since nearly half of all stalkers show up where their victims work, companies are wise to learn about this dynamic.) 17) Contact If he was fired, he has instigated and maintained contact with cur...
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I propose that large organizations redefine the word wrong in this context to include just three criteria. A manager is wrong only if he or she: 1. Doesn’t consider safety first
2. doesn’t ask the right questions 3. doesn’t communicate concerns clearly and early
To complicate matters, the difficult employee often has similar problems away from work as well. The good things in his life are like dominos that have started to topple: Confidence has toppled into performance, which topples into identity, which knocks over self-esteem. The loss of his job may knock over the few remaining dominos, but the one that employers must be careful not to topple is the dignity domino, because when that falls, violence is most likely.
Consider JACA: Justification: The employee can feel justified in using violence when the employer has taken everything away. Alternatives: He may perceive fewer and fewer alternatives to violence, particularly if he has exhausted all appeals processes. Consequences: His evaluation of the consequences of violence changes as he sinks lower. If he feels angry enough, particularly if he feels humiliated, the consequences of violence may become favorable. Ability: Often, angry current or former employees over-estimate their ability to deliver violence. This is dangerous because they are more likely
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PROTECT THE DIGNITY DOMINO Prop it up with courtesy and understanding. Never embarrass an employee.
MAKE THE TERMINATION COMPLETE Often, employers are tempted to offer a gradual separation, thinking it will lessen the blow to the terminated employee.
DO NOT NEGOTIATE This could be called the golden rule, and it applies to getting out of any kind of relationship with people who refuse to let go.
KEEP THE DISCUSSION FUTURE BASED Avoid rehashing the past. Establish some issues about the future to be resolved during the meeting. For example, “What would you like us to tell callers about where to reach you?”
BE DIRECT Instead of simply informing an employee that the decision to fire him has been made, some employers sidle up to the issue so delicately that the person doesn’t fully realize he has just been fired.
TO THE DEGREE POSSIBLE, CITE GENERAL RATHER THAN SPECIFIC ISSUES Many employers want to justify to the terminated employee why they are taking this action, as if they could possibly convince him that his being fired is a good idea.
REMEMBER THE ELEMENT OF SURPRISE In consideration of the security and safety of those handling the firing, the employee should not be aware of the termination meeting ahead of time.
TIME IT RIGHT A firing should take place without notice, at the end of the day, while other employees are departing.
CHOOSE YOUR SETTING A firing should take place in a room out of the view of other employees. It should not be in the office of the person doing the firing, because then there’s no way to end the meeting if the terminated employee wants to keep talking.
CHOOSE YOUR CAST Who should be present? I suggest that a higher level manager than the employee usually worked with should make the termination presentation. It should be someone distant from the day-to-day controversies that surrounded the terminated employee.
They had anger and righteous indignation, and as Emerson said, “A good indignation brings out all one’s powers.” Righteous indignation can be the engine for behaviors that an employee might never have even considered before.
He could have benefited from the wisdom of Oliver Wendell Holmes: “The young man knows the rules, but the old man knows the exceptions.”
INTIMATE ENEMIES “You never do anything about him. You talk to him and then you leave.” —Nicole Brown Simpson to police
What was clear in the Simpson case is that while Ron Goldman may have been in the wrong place at the wrong time, Nicole had been in the wrong place for a long time. As prosecutor Scott Gordon, now the chairman of L.A.’s forward-thinking Domestic Violence Council, said, “Simpson was killing Nicole for years—she finally died on June twelfth.” This concept of a long, slow crime is what I want to focus on as we discuss predicting and preventing these tragedies.
1) The woman has intuitive feelings that she is at risk. 2) At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3) He resolves conflict with intimidation, bullying, and violence. 4) He is verbally abusive. 5) He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide.
6) He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7) He has battered in prior relationships. 8) He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9) He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10) His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11) There has been more than one incident of violent behavior
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19) He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20) He has inappropriately surveilled or followed his wife/partner. 21) He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22) He resists change and is described as inflexible, unwilling to compromise. 23) He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24) He suffers mood swings or is sullen,
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This list reminds us that before our next breakfast, another twelve women will be killed—mothers, sisters, daughters.
Though leaving is not an option that seems available to many battered women, I believe that the first time a woman is hit, she is a victim and the second time, she is a volunteer. Invariably, after a television interview or speech in which I say this, I hear from people who feel I don’t understand the dynamic of battery, that I don’t understand the “syndrome.” In fact, I have a deep and personal understanding of the syndrome, but I never pass up an opportunity to make clear that staying is a choice. Of those who argue that it isn’t, I ask: Is it a choice when a woman finally does leave, or is
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Also, if we dismiss the woman’s participation as being beyond choice, then what about the man? Couldn’t we point to his childhood, his insecurities, his shaky identity, his addiction to control, and say that his behavior too is determined by a syndrome and is thus beyond his choice? Every human behavior can be explained by what precedes it, but that does not excuse it, and we must hold abusive men accountable.
Helen Keller, a woman in another type of trap said, “Although the world is full of suffering, it is also full of the overcoming of it.”
Does he do all this with evil design? No, it is part of his concept of how to retain love. Children who do not learn to expect and accept love in natural ways become adults who find other ways to get it.
In fact, the Buddhist definition of human suffering applies perfectly: “clinging to that which changes.” When men in these situations do not find out what is going on inside them, when they do not get counseling or therapy, it is a choice to continue using violence. Such men are taking the risk that violence will escalate to homicide, for as Carl Jung said, “When an inner situation is not made conscious, it appears outside as fate.”
Above all, I want to encourage people to ask this simple question: Will a restraining order help or hurt in my particular case? At least then, whatever choice is made can be called a choice, and not an automatic reaction. Think of restraining orders as an option, not the only option.
The distinction between safety and justice is often blurred, but it becomes clear when you are walking down a crowded city sidewalk, and an athletic young man grabs your purse or briefcase. As he runs off into fast-moving traffic, justice requires that you chase the youth down to catch and arrest him. But as he zig-zags through traffic, cars barely missing him, safety requires that you break off the chase. It is unfair that he gets away unpunished, but it is more important that you come away unhurt. (To remind clients that my job is to help them be safer, I have a small sign on my desk that
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The sergeant then said the words that changed Lisa’s life, the words that a decade later she would thank him for speaking, the words that allowed her to leave her violent abuser: “You fill out these forms and go back home, and the next time I look for them, it will be because you have been murdered.”
There are two broad categories of stalking: unwanted pursuit by a stranger, and unwanted pursuit by someone the victim knows.
My generation saw in The Graduate that there is one romantic strategy to use above all others: persistence. This same strategy is at the core of every stalking case. Men pursuing unlikely or inappropriate relationships with women and getting them is a common theme promoted in our culture. Just recall Flashdance, Tootsie, The Heartbreak Kid, 10, Blame it on Rio, Honeymoon in Las Vegas, Indecent Proposal.
have to teach young people that “No” is a complete sentence. This is not as simple as it may appear, given the deep cultural roots of the no/maybe hybrid. It has become part of the contract between men and women and was even explored by the classic contract theorists, Rousseau and Locke. Rousseau asked: “Why do you consult their words when it is not their mouths that speak?” Locke spoke of a man’s winning “silent consent” by reading it in a woman’s eyes “in spite of the mouth’s denial.” Locke even asserted that a man is protecting a woman’s honor when he ignores her refusal: “If he then
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you tell someone ten times that you don’t want to talk to him, you are talking to him—nine more times than you wanted to.
An axiom of the stalking dynamic: MEN WHO CANNOT LET GO CHOOSE WOMEN WHO CANNOT SAY NO.
“We were nice to him, not unusually so, but it was obviously a big deal to him. He took it as love. I guess when you are starving, even a morsel seems like a feast.”
“My father did not tell me how to live. He lived, and let me watch him do it.” —Clarence Budinton Kelland
Of all the violence discussed in this book, being killed by one’s own daughter or son is the easiest to avoid. A precaution that is virtually guaranteed starts years before the child is big enough to hurt anyone: Be a loving parent.
The way circus elephants are trained demonstrates this dynamic well: When young, they are attached by heavy chains to large stakes driven deep into the ground. They pull and yank and strain and struggle, but the chain is too strong, the stake too rooted. One day they give up, having learned that they cannot pull free, and from that day forward they can be “chained” with a slender rope. When this enormous animal feels any resistance, though it has the strength to pull the whole circus tent over, it stops trying. Because it believes it cannot, it cannot. “You’ll never amount to anything;” “You
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Unless and until something changes their view, unless they grasp the striking fact that they are tied with a thread, that the chain is an illusion, that they were fooled, and ultimately, that whoever so fooled them was wrong about them and that they were wrong about themselves—unless all this happens, these children are not likely to show society their positive attributes as adults.
If only more abused children could know that they are the residents of their homes, not the architects, then they might believe that where they are will not limit where they might go. Until America focuses shame on perpetrators instead of victims, these children will have children, and the war they thought was over won’t be over, for them or for us.
About twenty years later, a young woman named Valerie Solanas apparently felt the same way. An aspiring actress and writer, Solanas carried a gun into the headquarters of Andy Warhol and shot the famous artist. Soon after, Solanas walked up to a cop in Times Square and said, “The police are looking for me.” She added proudly, “They want me.” (It was Andy Warhol who gave us the quote that is itself an icon of the media age: “In the future, everybody will be famous for 15 minutes.” Ironically, Valerie Solanas got her 15 minutes at Warhol’s expense. She got another 90 minutes last year, when an
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Assassins, you see, do not fear they are going to jail—they fear they are going to fail, and Bardo was no different.