Suddenly, a crowd of artists with huge, bold abstract work, unlike anything seen before, had burst upon the New York scene. Jackson Pollock, Hedda Sterne, Barnett Newman, Motherwell, de Kooning, Rothko—“the Irascibles,” people often called them. The name of their school: Abstract Expressionism. Modern America had an art that was all its own. And at the center of it all was a small, indefatigable lady, born into the world of New York private schools, and summers in Newport, but who preferred the company of the most daring artists of her time: Betty Parsons. And her gallery, of course.
