Onstage, in the middle of white Elizabethan England, improbably stands a handsome Asian man as Macbeth. Macbeth has just heard the news that his wife had died, and he is giving the most famous soliloquy from the play, the “Tomorrow, and tomorrow, and tomorrow” speech. When they had been deciding what to call their company all those years ago, Marx had argued for calling it Tomorrow Games, a name Sam and Sadie instantly rejected as “too soft.” Marx explained that the name referenced his favorite speech in Shakespeare, and that it wasn’t soft at all.
