Tomorrow, and Tomorrow, and Tomorrow
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Read between December 17, 2024 - January 6, 2025
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This is what time travel is. It’s looking at a person, and seeing them in the present and the past, concurrently. And that mode of transport only worked with those one had known a significant time.
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“You’re incredibly gifted, Sam. But it is worth noting that to be good at something is not quite the same as loving it.”
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The mazes were for Sadie. To design a game is to imagine the person who will eventually play it.
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This life is filled with inescapable moral compromises. We should do what we can to avoid the easy ones.”
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She often had to put herself into a male point of view to even understand a game at all.
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Other people’s parents are often a delight.
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Beauty, after all, is almost always a matter of angles and resolve.
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“To be in a car with my grandmother was to know everything you needed to know about her.”
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She hated being drunk, though she did enjoy smoking a joint every now and then. She liked playing games, seeing a foreign movie, a good meal. She liked going to bed early and waking up early. She liked working. She liked that she was good at her work, and she felt proud of the fact that she was well paid for it. She felt pleasure in orderly things—a perfectly efficient section of code, a closet where every item was in its place. She liked solitude and the thoughts of her own interesting and creative mind. She liked to be comfortable. She liked hotel rooms, thick towels, cashmere sweaters, silk ...more
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“I adore him. I want to kill him. It’s normal. It’s complicated,” Sadie said.
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She studied Sam’s moon face, which was so familiar to her. It was almost like looking at herself, but through a magical mirror that allowed her to see her whole life. When she looked at him, she saw Sam, but she also saw Ichigo and Alice and Freda and Marx and Dov and all the mistakes she had made, and all her secret shames and fears, and all the best things she had done, too.
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In the fourth level, for example, Alice, after a major operation, becomes separated from her body, and she has to chase through the hospital to catch it, like Peter Pan and his shadow. This dissociation was something Sam had experienced many times—the feeling that your body, when it was sick, was no longer your own.
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Sam’s doctor said to him, “The good news is that the pain is in your head.” But I am in my head, Sam thought.
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Tell me I don’t know you, Sam thought. Tell me I don’t know you when I could draw both sides of this hand, your hand, from memory.
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The way to turn an ex-lover into a friend is to never stop loving them, to know that when one phase of a relationship ends it can transform into something else. It is to acknowledge that love is both a constant and a variable at the same time.
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his eyes reminded Sam of his own. They had the patina of a person who had felt pain and expected to feel it again.
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“And what is love, in the end?” Alabaster said. “Except the irrational desire to put evolutionary competitiveness aside in order to ease someone else’s journey through life?”
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“The boredom you speak of,” Alabaster said. “It is what most of us call happiness.”
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How to explain to Destiny that the thing that made her work leap forward in 1996 was that she had been a dervish of selfishness, resentment, and insecurity? Sadie had willed herself to be great: art doesn’t typically get made by happy people.
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Sadie did not feel that Naomi was altogether a person yet, which was another thing that one could not admit. So many of the mothers she knew said that their children were exactly themselves from the moment they appeared in the world. But Sadie disagreed. What person was a person without language? Tastes? Preferences? Experiences? And on the other side of childhood, what grown-up wanted to believe that they had emerged from their parents fully formed? Sadie knew that she herself had not become a person until recently. It was unreasonable to expect a child to emerge whole cloth. Naomi was a ...more