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“Because it is dangerous to ignore the existence of the irrational. The more cultivated a person is, the more intelligent, the more repressed, then the more he needs some method of channeling the primitive impulses he’s worked so hard to subdue.
“The Roman genius, and perhaps the Roman flaw,” he said, “was an obsession with order. One sees it in their architecture, their literature, their laws—this fierce denial of darkness, unreason, chaos.”
Pragmatists are often strangely superstitious. For all their logic, who lived in more abject terror of the supernatural than the Romans?
“Trees are schizophrenic now and beginning to lose control, enraged with the shock of their fiery new colors. Someone—was it van Gogh?—said that orange is the color of insanity. Beauty is terror. We want to be devoured by it, to hide ourselves in that fire which refines us.”
George Orwell—a keen observer of what lay behind the glitter of constructed facades, social and otherwise—had met Julian on several occasions, and had not liked him. To a friend he wrote: “Upon meeting Julian Morrow, one has the impression that he is a man of extraordinary sympathy and warmth. But what you call his ‘Asiatic serenity’ is, I think, a mask for great coldness. The face one shows him he invariably reflects back at one, creating the illusion of warmth and depth when in fact he is brittle and shallow as a mirror.
“There is nothing wrong with the love of Beauty. But Beauty—unless she is wed to something more meaningful—is always superficial. It is not that your Julian chooses solely to concentrate on certain, exalted things; it is that he chooses to ignore others equally as important.”