Michael Pemulis sees at least eight panels of the drop-ceiling have somehow fallen out of their aluminum struts and are on the floor—some broken in that incomplete, hingey way stuff with fabric-content gets broken—including the relevant panel. No old sneaker is in evidence on the floor as he clears the panels to plant the stool, his incredibly potent Bentley-Phelps penlight in his teeth, looking up into the darkness of the struts’ lattice.