the complete unfiguranted egalitarian aural realism was why party-line entertainment-critics always complained that the wraith’s entertainments’ public-area scenes were always incredibly dull and self-conscious and irritating, that they could never hear the really meaningful central narrative conversations for all the unfiltered babble of the peripheral crowd, which they assumed the babble(/babel) was some self-conscious viewer-hostile heavy-art directorial pose, instead of radical realism.
Another very favorite quote of mine.
