There were two ways of going, and Les Assassins des Fauteuils Rollents were prepared to pursue both these. Less better was the indirect route: surveillance and infiltrating the surviving associates of the Entertainment’s auteur, its actress and rumored performer, relatives—if necessary, taking them and subjecting them to technical interview, leading with hope to the original auteur’s cartridge of the Entertainment. This had risks and exposures and was held abeyant until the directer route—to locate and secure a Master copy of the Entertainment on their own—had been exhausted.
Another important plot development buried in what seems an overflow of extraneous detail. I missed this entirely my first reading and so had no sense of foreboding about what's to come.
