Edwin Setiadi

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ending. But you can use details here and there to say something else. If you are writing a novel, for instance, you might put your dangerous opinions in the mouth of the villain but express them with such energy and color that they become more interesting than the speeches of the hero. Not everyone will understand your innuendos and layers of meaning, but some certainly will, at least those with the proper discernment; and mixed messages will excite your audience: indirect forms of expression—silence, innuendo, loaded details, deliberate blunders—make people feel as if they were participating, ...more
The 33 Strategies of War
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